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Studio Notes

The line between soft and exact

A short study of proportion, fitting and the decisions left deliberately quiet.

The line between soft and exact — editorial lead

A garment begins as a boundary around movement. For Still Forms, the first fittings focused on where structure could be removed without losing clarity.

Shoulders were softened, trouser volume was moved lower, and closures were reduced until each piece held its line without feeling fixed. The collection is the result of those subtractions.

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